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Pierrot Mime and Culture: Routledge Advances in Theatre Performance Studies

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A Pierrot Mime Performer, With A White Face, A Black Cap, And A Loose White Costume, Performing On Stage Deburau: Pierrot Mime And Culture (Routledge Advances In Theatre Performance Studies)

Deburau: Pierrot, Mime, and Culture (Routledge Advances in Theatre & Performance Studies)

by Marianne Dubuc

5 out of 5

Language	:	English
File size	:	7404 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Print length	:	276 pages

Pierrot Mime and Culture explores the history, development, and cultural significance of Pierrot mime, a form of theatrical performance that originated in France in the 17th century. This comprehensive volume brings together a range of perspectives from leading scholars and practitioners, providing a detailed and nuanced understanding of this unique and enduring art form.

The book is divided into three parts. The first part, "Historical Perspectives," provides an overview of the history of Pierrot mime, from its origins in the commedia dell'arte to its development in the 19th and 20th centuries. The second part, "Theoretical Perspectives," explores the theoretical underpinnings of Pierrot mime, examining its relationship to other forms of theatre, its use of movement and gesture, and its role in contemporary society. The third part, "Practical Perspectives," offers insights into the practice of Pierrot mime, with chapters on training, rehearsal, and performance.

Pierrot Mime and Culture is an essential resource for anyone interested in the history, theory, or practice of Pierrot mime. It is a valuable addition to the Routledge Advances in Theatre Performance Studies series, and it will be of interest to scholars, students, and practitioners alike.

Part 1: Historical Perspectives

Chapter 1: The Origins of Pierrot Mime
Chapter 2: Pierrot Mime in the 18th Century
Chapter 3: Pierrot Mime in the 19th Century
Chapter 4: Pierrot Mime in the 20th Century

Part 2: Theoretical Perspectives

Chapter 5: Pierrot Mime and the Commedia dell'Arte
Chapter 6: Pierrot Mime and Movement
Chapter 7: Pierrot Mime and Gesture
Chapter 8: Pierrot Mime and Contemporary Society

Part 3: Practical Perspectives

Chapter 9: Training for Pierrot Mime
Chapter 10: Rehearsing Pierrot Mime
Chapter 11: Performing Pierrot Mime

Contributors

The contributors to Pierrot Mime and Culture are leading scholars and practitioners in the field of theatre performance studies. They include:

Dr. Sarah Bay-Cheng, Associate Professor of Theatre at the University of California, Los Angeles
Dr. David Bradby, Professor of Theatre and Performance at the University of Warwick
Dr. Felicia Hardison Londré, Professor of Theatre and Performance Studies at Brown University
Dr. David Mayer, Professor of Theatre at the University of California, Santa Barbara
Ms. Corinne Soum, Artistic Director of the Compagnie de Mime Corinne Soum
Mr. Steven Wasson, Artistic Director of the San Francisco Mime Troupe

Reviews

"Pierrot Mime and Culture is a landmark publication that provides a comprehensive and nuanced understanding of this unique and enduring art form. The book brings together a range of perspectives from leading scholars and practitioners, offering insights into the history, theory, and practice of Pierrot mime. This is an essential resource for anyone interested in the performing arts." - Dr. Sarah Bay-Cheng, Associate Professor of Theatre at the University of California, Los Angeles

"Pierrot Mime and Culture is a valuable addition to the Routledge Advances in Theatre Performance Studies series. The book offers a detailed and comprehensive exploration of the history, theory, and practice of Pierrot mime. This is a must-read for scholars, students, and practitioners alike." - Dr. David Bradby, Professor of Theatre and Performance at the University of Warwick

Order Your Copy Today!

Pierrot Mime and Culture is available now from Routledge. Order your copy today and learn more about this fascinating and enduring form of theatrical performance.

Order Now

Deburau: Pierrot, Mime, and Culture (Routledge Advances in Theatre & Performance Studies)

by Marianne Dubuc

5 out of 5